“The first thing to say is maybe
that you can’t intend to make anything beautiful. It’s either beautiful or not beautiful,
it just happens to be so. I think it has more
to do with the way something is conceived,
if it’s well conceived it’s certainly beautiful,
so when we say that something is beautiful
we say that it’s well conceived.”
Anish Kapoor interviewed
by Paolo Cecchetto, 1995.
Font design for the signage of a concert hall.
Font design from letterpress woodblocks. (Work in progress)
Typographic system created as part of the communication for the french pavilion at the 13th International Architecture Exhibition in Venice.
Font design inspired from my own handwritting. (Work in progress)
Display typeface designed with typographer Jean-Baptiste Levée as part of the art direction of the special issue of the french cultural magazine Télérama on the Dogon culture.